Friday, December 18, 2009
Wednesday, December 16, 2009
Friday, October 23, 2009
Tuesday, October 20, 2009
Saturday, October 17, 2009
Monday, September 14, 2009
A Doodle for Daily Coyote :)
I looove www.dailycoyote.net for a source of my five minutes of happy a day. Following Charlie, the coyote, while growing up in the care of Vespa Vagabond (the maintainer of the blog and another blog with the same name.) I especially like Chloe and her antics, despite how young she is compared to the handsome coyote. Each of the characters, or rather individuals, in this blog have such unique and lovable personalities... and Vespa Vagabond's skill with photography helps to bring it out for all to see. :)
Thursday, September 10, 2009
Assignment Updates
Monday, September 7, 2009
Doodle comics, Scary Cars, and Death!
Wednesday, September 2, 2009
More of the Monster Car!
Here's my tight sketch so far of the monster car project. It's subject to change still.
Tuesday, September 1, 2009
School Update, Tuesday Edition
Monday, August 31, 2009
Friday, August 28, 2009
School Update - Friday Edition
Well, I showed my "Monster Car" thumbnails to Thiel, and he liked the first one on the page... It was my personal favorite as well. My next step is to do a tight-sketch with plenty of reference to make sure the car ends up looking like a car. I decided to do some rough digital color-composition possibilities first though.
Also, Pratt made us have to do a breakdown of a script from the African Queen.
The first half of this scan is the panel compositions/placements/breakdowns, which I do to create an easy flow amongst the pages. As you can see, I made several different versions of some pages, while I knew what I immediately wanted from a couple. Still, these aren't the final say on things. They are different from the final results. The page done in marker is a test-page, which I did to see how long it would take me to make a page.
While he suggested angles that weren't straight on, I did a few for the reason of allowing certain calm moments or to clearly show body-language. I feel that a comic that is always dynamic in every frame doesn't allow for an emphasis of calm moments. On the flip side, if a comic is always showing straight-on perspective, it gets visually boring. If anyone reading has any suggestions, feel free to make them, These pages were done in roughly 10 minutes a piece at most, so I don't mind redoing a few.
Monster Car Project "It Came from Beyond the Junkyard!"
Pen & Ink and Marker on Sketch paper (digitally altered color thumbnails)
1 x .75 inches (per thumbnail)
Pen & Ink and Marker on Sketch paper (digitally altered color thumbnails)
1 x .75 inches (per thumbnail)
Also, Pratt made us have to do a breakdown of a script from the African Queen.
The first half of this scan is the panel compositions/placements/breakdowns, which I do to create an easy flow amongst the pages. As you can see, I made several different versions of some pages, while I knew what I immediately wanted from a couple. Still, these aren't the final say on things. They are different from the final results. The page done in marker is a test-page, which I did to see how long it would take me to make a page.
(Left) The African Queen: Scene 2 breakdown, (right) The African Queen - Test page
Pen & Marker on printer paper
11 x 17 inches (8.5 x 11 inches seperated)
Pen & Marker on printer paper
11 x 17 inches (8.5 x 11 inches seperated)
While he suggested angles that weren't straight on, I did a few for the reason of allowing certain calm moments or to clearly show body-language. I feel that a comic that is always dynamic in every frame doesn't allow for an emphasis of calm moments. On the flip side, if a comic is always showing straight-on perspective, it gets visually boring. If anyone reading has any suggestions, feel free to make them, These pages were done in roughly 10 minutes a piece at most, so I don't mind redoing a few.
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